Trust the process, pt 5 (Everything is connected, 1)

credit: Yoly Mancilla

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Back in May I wrote in this post, Steppingstones to a new life, about how different paths of my life had suddenly come together at juncture, namely, grad school. I was shocked and gob-smacked how the Universe, Serendipity and Synchronicity got together presented me with this and amazing and timely opportunity.

But these three tricksters had more up their sleeves, much more! When I was least expecting it, they walloped me with my past, present and future in connections I could never have imagined. (I say “walloped” because the impact of all these connections left me reeling for a few days.)

Here are just a few of the “coincidences” that have occurred over the last couple of months:

Wow! #1. When I was first questioning my next step after getting my certification through The Center for Journal Therapy I wrote to my fellow instructors asking for advice. I was in a quandary about how I might combine my two distinct writing lives: therapeutic writing for others and my own creative pursuits. One woman in particular went out of her way to write back with her own situation and told me she had attended Goddard College in Vermont. Vermont! I don’t know if she knew I was here in these Green Mountains but that was strange surprise number one. Knock-me-over-with-a-feather-surprise number two was that the program they offered there was EXACTLY what I wanted: a self-designed degree, low-residency and offered a concentration in… ta-da! Transformative Language Arts – a combination of writing for health and change and creative writing.

So, a few months later I find myself sitting across from a faculty member at Goddard discussing my focus. He suggests to me that I browse some of the final projects in my line of study done by former students, one in particular. He proceeds to tell me, out of the hundreds of former students, the name of the very woman who had referred me to Goddard in the first place! She and I had never discussed what I was hoping to research and now here I was photocopying her bibliography and checking out some of the same books as she had done four years earlier.

Wow! #2: In high school I wrote a paper called “All Dressed Up and No Where to Go” about Victorian women’s whalebone “cages” and other restrictive vestments of the era. As an undergrad I wrote a thesis on the fashions of 14th century Europe and now they were symbolic of female oppression. I was just interested in historic costume, the women’s issues were just an interesting side-note to me at the time.

A few months ago I had what the experts call a “big” dream. An Intuitive and Jungian dream analysis-expert friend of mine interpreted it as my own battle with feelings of Female Oppression. I had never associated any of my own domestic frustrations with such a concept, but when she said it, it resonated. It rang through me like the Liberty Bell. I had grown up in a patriarchal world, in general, and a religious community, specifically, where women are undermined and ruled over, with first their father and then the husband as their “head” and salvation. Our bodies, minds, even prayers, were not our own. As Sue Monk Kidd says in Dance of the Dissident Daughter, I had “touched the wound of my feminine life.”

As I began delving into the writings that began my journey towards my own religious recovery I quickly realized that the Feminine would play a major role. My own Feminine Source had been denied me (and all other women of the last 5,000 years) when she was disowned by patriarchal society and religion. I long to set her free from her cage – as I had at age 16 without realizing it. And now one of my references for my studies is the very one I read back in a women’s history course almost 16 years ago. Even a chance conversation and a book recommendation while at Goddard, which I had dismissed as not really relating to my studies, suddenly became very relevant.

Wow! #3: I live in a blue-collar town. As a self-employed workshop facilitator and coach it is very difficult to make a living here. It is not an artistic town (although there are artists and writers burrowed away by the lakes and mountain-sides surrounding the town) and it is poor and, by Vermont’s extremely high standards, can be dangerous. I have lived and visited vibrant cities where there is a sense of community and respect for the town and the people in it. City-wide events are well-attended and fun. I desperately want this for my town but I’ve never really articulated what it is that makes a town different.

While noodling along in my journal at the Goddard residency I wrote, “Live-able communities are spiritually-based communities. Lots of nature, healthy options, community events, caring for self and each other.”  Without exactly knowing what I meant by the definition, I realized the difference is spiritual. Connection. A One-ness. There is personal empowerment within a Whole.

A few days after returning home from Goddard, one of my advising group sent me a link to a Public Radio International show, “To the Best of Our Knowledge” called, “Losing Religion.” One guest spoke of his discovery that the least religious societies have the lowest crime rates and vice versa. His visits to Denmark and Sweden, where the people wouldn’t even consider voting in a religious leader, presented him with beautiful, clean, safe, back-to-nature cities.

Again, the connections: I had been questioning What Makes a Community and thinking about it in my own tiny life when the subject suddenly presents itself to me on a much larger, societal scale. This is obviously just a tiny peek at a much larger question with many, many variables (which I could go into more here but you’ll have to wait for the book! These topics will be making up the bulk of my research while at grad school). But I questioned and the answers started to come. Given to me…

It’s those rascally rascals, Serendipity and Synchronicity!

Prompt: I experienced Serendipity and Synchronicity in my life when…

_______

 

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